
Company Burnout Jann Gallois
Cultural, Festival, Dance
in Cannes
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It is in the public space of Cannes that this show is offered to all. In a generous and stimulating proximity with passers-by, to rediscover the joy of being together.
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With their originality and sensitivity, each of Jann Gallois' pieces hits the nail on the head, and this eleventh opus will be no exception to the rule. The dancer who, as a teenager, was introduced to hip-hop dance in the street, returns to the roots of her art after the long months of isolation caused by the pandemic. She created In Situ as close as possible to the audience, in the public space where the first forms of performance were born long before the existence of dedicated venues....
With their originality and sensitivity, each of Jann Gallois' pieces hits the nail on the head, and this eleventh opus will be no exception to the rule. The dancer who, as a teenager, was introduced to hip-hop dance in the street, returns to the roots of her art after the long months of isolation caused by the pandemic. She created In Situ as close as possible to the audience, in the public space where the first forms of performance were born long before the existence of dedicated venues. The aim? To offer, where they are, to "Mr. and Mrs. Everyone" a suspended moment that breaks the routine of everyday life. The piece, designed to be visible to all, unfolds in interaction with its specific environment. Imposing its presence outside the marked out markers of the theatre stage, in a fair balance between place, movement and perception, implies however putting into play the usual ingredients of creation. To music by Charles Amblard, the dancers invite us to reconnect with "being together" while awakening the joy that vibrates within each of us.
Jann Gallois
Since her first solo P=mg in 2013, which won numerous awards, Jann Gallois has distinguished herself through her choreographic writing, which is nourished by hip-hop but also by contemporary dance and a constant concern for innovation, both in terms of the forms and the themes addressed. With her company BurnOut, founded in 2012, she has so far choreographed ten pieces, including Mandala (2021) and Imperfecto (2022). She is currently an associate artist at the Théâtre du Beauvaisis, Scène nationale de Beauvais, and at the Maison des arts de Créteil.
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Spoken languages
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Schedules
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Schedules
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From
December 2, 2023
until
December 3, 2023
Open Everyday
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From
December 2, 2023
until
December 3, 2023